chichuri ([info]chichuri) wrote,
@ 2007-04-17 22:22:00
Previous Entry  Add to memories!  Tell a Friend  Next Entry
Current mood: restless
Entry tags:veronica mars

Fic: In the end, it doesn't even matter (Logan/Veronica) R

Title: In the end, it doesn't even matter
Fandom:
  Veronica Mars
Author: chichuri
Pairing/Character: Logan, Logan/Veronica, Veronica
Word Count: 2474
Rating: R for mild language
Summary: Logan and Veronica break up, again.
Spoilers: through 3.15
Disclaimer: Characters not mine, of course.
Author's Note: As always, thanks and love to [info]vagajammerfor the (reluctant) beta. Title is from "In the End" by Linkin Park.
 
 
In the end, it doesn't even matter
 
"It's never gonna work, is it?" Veronica slides down the wall as if her legs can't hold her up and huddles in the corner, chin dropped to her collarbone, shoulders rounded and shaking, knees pulled in close, and hands locked, white knuckled, against her calves. The sphere of light cast by the single lamp illuminating the living room doesn't reach the corners, and she nearly disappears into the shadows. 
 
"Ya think?" Logan snarls. "What gave you the first fucking clue?"
 
He strains to hear her response. "I always thought, somehow..."
 
"All the problems would magically go away and we'd fly off to never-never land, where everything was just peachy?" He should be disturbed by his vicious satisfaction at her flinch—he hasn't gotten off on her pain in years, not really—but small, bitchy blondes with chips on their shoulders and superiority complexes always bring out the worst in him, despite years of developing the self control to blunt the razor edge of his tongue and his anger.
 
"Thought we'd somehow figure it all out," she whispers as she curls deeper into herself.
 
"That for a relationship to work, you have to trust someone? We fucking figured that one out a long time ago. And some of us weren't willing to try."
 
"I trust you."
 
And still, even now, they are back to the old arguments, the issues that are never quite resolved, just postponed until the next round. "No. No, you don't. You always say you do, then reality sets in, and we find out how little those words really mean." He settles next to her, close enough that he can feel her heat. Of course, he can feel that heat across a crowded room, a frisson of awareness that refuses to go away even when they're on the outs.
 
"I trust you more than anyone else in my life."
 
His hands clench, and he digs his fingers into the soft pile of the carpet. He's pissed that no matter how many times he hears the words, they twist and soften something inside him. "Which means, what? Half as far as you can throw me? Or is it less than that?"
 
"I know." She nods jerkily and swallows, blonde hair falling back to expose her face as she raises her head to meet his eyes. "I know I didn't... couldn't trust you enough. As much as you deserved."
 
"Trust enough?" His harsh laugh sounds more like a growl. "Fuck, Veronica, the only thing you ever trusted was that I'd eventually do something not up to your exalted standards." His arms sweep in sharp, abrupt gestures. "That I'd inevitably fuck up, and that whatever we'd managed to build between us would go to shit."
 
"I trust that you'll always be there for me, if I really need you."
 
He doesn't miss that she still uses present tense. "Find someone else to play the part of your dependable lackey. I'm done."
 
She nods again and drops her forehead to her knees, breath hitching as she sucks in air to steady the sobs. "Yeah. Yeah, I got that."
 
He can count on one hand the number of times her walls have crumbled and he's seen her cry. Lilly's death. The first time he had cut loose and let her know how far she had fallen from grace after Lilly's death. A glimpse as the elevator doors closed, that surreal morning after Alterna-Prom. The night of graduation, when grief for the father she believed dead nearly consumed her. Now. Of those, two involved mourning the deaths of people she loved. The other three were on him, and each time he's ached to pull her into his arms and comfort her.
 
"There's too much between us," he says, suddenly desperate to make her understand. "All we ever do is hurt each other, Veronica. Time after time, we think we can make things better, and it backfires in a fucking explosion that leaves both of us scorched and bleeding. Each time it gets a little more painful, a little harder to put ourselves back together. There's nothing worth all this pain."
 
"Once, you thought it was worth writing songs about," she murmurs.
 
He hears the echoes of a conversation he still regrets he can't quite remember. "Maybe I grew up."
 
She rubs at her eyes with the back of one hand. "I love you."
 
A flash of fury at the glaring reminder of yet another reason they've come to this burns away desperation and regret. "Oh, so now, you blithely say the words. Another tool in your arsenal? Hoping that maybe it'll have some effect?" He bangs his head against the wall, welcoming the physical pain to distract him from the emotional, both his and hers. "Fuck. And fuck you, for that."
 
"I know it doesn't matter, anymore. It's over. Finished. But it's true, and you deserve to know, and I should have told you, should have been telling you, for years."
 
It shouldn't break him to hear her so broken, not after everything. He's glad the anger still simmering through him overpowers the need to ease her pain. "Really," he says, pouring every bit of doubtful irony he can muster into that single word. "Then why have you never freely offered up those three little words, if you 'should have been' all these years? Why dangle them in front of me now, of all times?"
 
She looks up, eyes red-rimmed and tears freely falling, defiantly meeting his glare but still protectively hunched into herself. "Because it's the end, and there's nothing you can do to hurt me with it anymore, no way you can make me hurt more than I already do. Because you've already joined the ranks of everyone I love leaving, so the worst has already happened, and I have nothing left to be scared about. Because after everything you put up with, you should at least be able to take away that, no matter what you might think about me, you really did break my heart." She pauses to take a deep breath. "Because after tonight, I'll never have another chance." She closes her eyes. "Because I'll never get another chance."
 
"No," he says, and the hoarseness of his voice matches hers. "You won't." Despite her claims, hundreds of ways he could twist those words and use them against her parade through his brain. He considers and discards each. He's not going to go there. Not now. Not in the last few minutes they have together. He doesn't want his last memories of her to be of how efficiently he can strip down her guards and savage her. He has enough of those memories already, entwined with the memories of her doing the same to him.
 
"So I might as well say all the things I always stopped myself from saying," she continues. "The stuff I could barely admit to myself. I've got nothing left to lose, no expectations, no illusions."
 
"What makes you think I want to hear it?" It's a half-hearted swipe, not really trying to hurt her, but it does. He can see it in her eyes, in the way they dip briefly before raising to meet his squarely once again.
 
Her lips curve in a bitter twist. "As you have—and often—pointed out, it's all about me. I'm saying what I need to say. I can't make you listen." She looks away, eyes distant. "I can't make you do anything you don't want to. From day one, I've never been able to."
 
"That was your problem. You always wanted to fucking remake me, force me to be someone I wasn't." The bitterness still seethes within him, a resentful film that overlays his desperate wish for unconditional acceptance and love. He tugs his sleeves over his hands and forces his voice to remain steady. "For you I was always the fucking disappointment, just like I'd been for my father. Fuck, just like I'd been for Lilly, whenever she got fucking tired of dealing with me."
 
She glances back to him briefly, then away. "I was never disappointed," she says softly. "I just wanted you to live up to all the potential I could see in you. Be the person I knew was there, but you always hid. Is it wrong to want something more for someone?"
 
If only it were true. "It's wrong when you refuse to accept who they are. I accepted who you were."
 
She shakes her head, biting her lower lip. "You never did."
 
"Fuck that, Veronica," he laughs in disbelief. "I loved you for who you were!" The niggling voice in the back of his brain whispers 'loves'. His love for her isn't safely in the past; it still chafes against his heart, a constant irritation occasionally flaring into agony only time and distance will ease.
 
Veronica turns to him with a small, pained smile. "You may have loved me for it, but you didn't accept it." She just raises an eyebrow at his immediate, angry, denial. "I saw it Logan," she says over his protests, and he subsides into irritated silence. "Every time I talked about my cases, I could see you wanted to make me stop. You kept trying to swaddle me in protection, to keep me from doing what I had to do to exorcise my ghosts. Then you abandoned me when I needed you the most, when I was trying the hardest to keep my head above water and deal with the memories, the pain, and the guilt."
 
"I never abandoned you," he snaps, eyes narrowing.
 
"You abandoned me and turned on me when Lilly died, and you then you abandoned me 'cause you couldn't deal during the rape case."
 
Even when the ostensible subject is something else, it always comes back to Lilly and the year after she died. The dynamics of their relationship were set in those terrible months of anger and pain and perceived betrayal, and when she gets emotional she starts reverting to those instinctive patterns. He's supposed to be the bad guy, so she always twists reality until he's the one in the wrong. "I broke up with you because you wouldn't let me in. You didn't need anyone—"
 
"I needed you." She spins to face him head on and rises to her knees, putting her eyes level with his. "I needed you there to ground me, to remind me how to move on with my life. To remind me that there were things worth living for, and that maybe I could eventually sleep through the night without dreams of fire and violation. To remind me that there was something, something, that was worth clawing through the pain of trust. And you left." Her voice breaks on the final word. "You left, just like everybody else. You left, and I had to pull myself back together."
 
She doesn't get to win, not this time. He's right and he knows it, and he'll be damned if he lets her turn it back onto him. "And then you came back, and then you broke up with me. Then we got back together, and now, finally, we're breaking up again. Lather, rinse, and repeat, the cycle goes on and fucking on, Little Miss Martyr. If you could climb down from your high horse for two fucking seconds, you could maybe see this goes both ways. But no, that's too much to ask, for you to consider the rest of us mere mortals in your twisted little schemes."
 
"Not consider..." She gapes at him, blinking rapidly.
 
"Like this is news to you? I ask you for one thing—"
 
"You gave me an ultimatum!"
 
"I said if you really wanted this relationship to work, like you kept claiming, ad nauseum, you should try out that little writer's advice of 'show, don't tell'. You recognize it, right? You always did do so well in English."
 
"I told you I had to—"
 
"I asked you to be there one night. It was important to me, and you couldn't even do that." She never bothered to offer any justification, just that he had no right to the details, she was never going to talk about it, and the whole thing needed to be dropped immediately. Oblivious as always, she'd apparently expected him to roll over and unquestioningly take her crap. She never believed that he'd meant it when he said if she couldn't bend this much he was done.
 
"I had to, for Liz—my client. It was the one night the Mann—" She closes her eyes, teeth clenched against letting any further words escape. It's a testament to how rattled she is that she spoke any vestiges of client names; she is rabid about her newfound and supremely ironic attachment to client privacy.
 
"For once in your life, back away and let it go." Her belated justifications don't matter, not really. They'd been falling apart for weeks—months, even. Veronica's nonappearance had just been the final crack to shatter their volatile relationship. He won't let himself be cut to the bone trying to reassemble the jagged pieces. He refuses to bleed for her anymore.
 
"But—"
 
"Let it die, Veronica," he says, almost gently. "There's nothing left to be saved."
 
Her eyes dart over his face. He steels himself, not letting inconvenient remnants of affection taint his resolve. Whatever she's searching for, she doesn't find it. Or maybe she does. The pain in her eyes is almost unbearable.
 
"You're right." She pushes to her feet, wavering for a moment as she finds her balance, then stands ramrod-straight. "It's over and done." He watches the layers of her unfeeling mask crawl over her tears and snick into place, and all emotions dim and drain away to nothing.
 
It's not just the pain that fades, but everything. Before, even when she was at her most bitchy and unreasonable, he could see the forces that drove her. Love, hate, fear, wonder, amusement, regret, resolve, passion, life: it has all been there to the one who knew how to slide behind the seemingly impenetrable walls. Now, that spark, the glowing soul of the girl he likes, hates, and loves, is gone. There is nothing but cold emptiness behind the facade, a hollow mockery devoid of life.
 
He wants to reach out and touch her, to stroke her fire back into fury, just to make sure the embers are still there, somewhere, banked so low even he can't see them. 
 
He no longer has that privilege.
 
The door softly clicks shut behind her, an understated exit to the last act of her perpetual game of running away from him.
 
This time, he doesn't get to catch her.
 
He sits, staring into welcoming glow from the lamp, until the sun finally rises to chase the shadows away.
 



(15 comments) - (Post a new comment)


[info]inthevast
2007-04-18 02:41 pm UTC (link)
despite years of developing the self control to blunt the razor edge of his tongue and his anger.

I love this bit. It's so true and painful like this entire peice. All of their issues were here, ugly, cruel and manipulative. But having them at least talk about it, sorta, was relieving and theraputic for me. I just wish this had ended differently, but I don't think it's ever going to end no matter how many times they break up.

(Reply to this) (Thread)


[info]chichuri
2007-04-19 08:18 am UTC (link)
I must have needed them to talk, too, 'cause I when I'd started writing I'd envisioned this a bit... different. Quieter, kinda.

I don't think it's going to end, either. Even here, in what I've written, this might not be a final end, but a continuation of the cycle... or the start of a whole new beginning. I do think both of them are capable of believing that it's completely over, and even that it might be healthier for them to be apart for a while.

Thanks for reading.

(Reply to this) (Parent)


[info]polarthestral
2007-04-18 03:20 pm UTC (link)
The thing I enjoyed most about this story was Logan's obvious resolve. He never really speaks to Veronica like this any more, stands up for himself so confidently and adamantly. I like that you basically have Logan pushed to that extreme in this story, like she pushed him so much that he eventually refound his confidence about what he deserves and it isn't how she treats him. That was cathartic to me.

I like that he stuck that resolve out through the end. I like the slight hint that she might have been working for Lizzie Manning :) Or someone with a really similar name. But in the end it doesn't matter what she was doing.

Oh and I love that you used that line from a song perfectly describing the resolve I want Logan to come to eventually: I've put my trust in you / Pushed as far as I can go
For all this / There’s only one thing you should know / I tried so hard / And got so far / But in the end / It doesn’t even matter
. I mean you can take that song as sad but it's such a war cry, someone taking charge of who they are again and I love that you used it to inspire a piece about Logan stepping up to Veronica and ending things when the cycle wouldn't break. It's very mature and it's the conclusion I think he needs to come to to have a healthy life, so it was great to see that explored in a fic.

(Reply to this) (Thread)


[info]chichuri
2007-04-19 08:29 am UTC (link)
The funny thing is, the song didn't directly inspire the story, although it's made me think of Logan and Veronica for a while. It wasn't until I was in the middle of writing, and I realized the way the story had shifted from my original concept, that I realized how well the song fit. And I've always seen the song more as angry, maybe a bit bittersweet, than sad.

Yes, Veronica was working for Lizzie Manning.

Thanks for reading, and I'm glad you enjoyed it!

(Reply to this) (Parent)


[info]bfragrant
2007-04-18 04:55 pm UTC (link)
I loved this. Thank you for writing it. Logan really does need to say these things in canon. Of course he won't (or can't), as RT wouldn't dream of such things said to (and about) his Veronica.



A flash of fury at the glaring reminder of yet another reason they've come to this burns away desperation and regret. "Oh, so now, you blithely say the words. Another tool in your arsenal? Hoping that maybe it'll have some effect?" He bangs his head against the wall, welcoming the physical pain to distract him from the emotional, both his and hers. "Fuck. And fuck you, for that."

So true.

Also the fact that Veonica tries to turn his every accusation into her advantage, trying to manipulate his words, so true to her character. Yet Logan doesn't back down this time, eventhough he loves her he knows that he should love himself more, and that she is killing all the love he has or can have for himself.

Beautifully written.



(Reply to this) (Thread)


[info]chichuri
2007-04-19 08:31 am UTC (link)
Thank you! I'm glad you enjoyed reading.

(Reply to this) (Parent)


[info]afrocurl
2007-04-18 07:38 pm UTC (link)
I've always loved your way with words and this just hits the spot.

There's something about how honest you made both Logan and Veronica in this situation that speaks to how many issues they have between them.

I don't think I can effectively say anything else, except that this is painful in the best kind of way.

(Reply to this) (Thread)


[info]chichuri
2007-04-19 08:37 am UTC (link)
Loved my way with words? I'm honored, truly. I'm generally just happy when someone other than me finds pleasure in these bits and pieces.

I almost wonder if the only way Logan and Veronica could be this totally honest is when there's nothing left to destroy, and they don't care about hurting the other, or having their words used against them. And I'm way too fascinated with their issues, and how they've shaped and screwed up them both.

Thanks for reading, and I'm very glad you enjoyed it!

(Reply to this) (Parent)


[info]sk_brainstorm
2007-04-19 02:42 am UTC (link)
Wow. Very deep. From what I know of the characters this was fantastic. :)

(Reply to this) (Thread)


[info]chichuri
2007-04-19 08:46 am UTC (link)
Joe???? What the frak are you doing reading my fanfic! Bored? Insane?? Unless things have changed from Christmas, you've seen one episode.

And speaking of, get thee to netflix, and get First Season Veronica Mars. Trust me (you can trust me, really you can, isn't this the maniacally grinning face of someone you can trust?), it's good. Opinions differ on later seasons, but the first one is certainly worth a look.

Oh, yeah, and... *mumbled, head ducked* thanks for reading, and I'm thrilled you enjoyed it. At least it wasn't the porn ;)

(Reply to this) (Parent)

Holy FREAKING GOD!
(Anonymous)
2007-04-19 09:07 am UTC (link)
Oh WOW. That was amazing! That is a terribly dark and sad, but hauntingly fitting end to the relationship, and you captured both voices perfectly. I am so incredibly amazed by your writing skill. What an incredible piece.

"He watches the layers of her unfeeling mask crawl over her tears and snick into place, and all emotions dim and drain away to nothing.

It's not just the pain that fades, but everything. Before, even when she was at her most bitchy and unreasonable, he could see the forces that drove her. Love, hate, fear, wonder, amusement, regret, resolve, passion, life: it has all been there to the one who knew how to slide behind the seemingly impenetrable walls. Now, that spark, the glowing soul of the girl he likes, hates, and loves, is gone. There is nothing but cold emptiness behind the facade, a hollow mockery devoid of life."

This is EXACTLY what I feel about veronica. I felt that Logan was her chance to open up and feel something because hes a link to a time before lily died. Anybody else would just not get the whole girl and as a result the relationship would be incomplete. I feel like this is a last chance, not only for the two of them, but for her at all, for her to trust anybody like that again. that was amazing!

(Reply to this) (Thread)

Re: Holy FREAKING GOD!
[info]chichuri
2007-04-25 10:37 am UTC (link)
Thank you very much. I'm glad you enjoyed this.

(Reply to this) (Parent)


[info]gypsy_sally
2007-04-21 09:08 am UTC (link)
Gulp. Your wordsmanship (not to be confused with swordsmanship;) has always been something I've admired in your writing, and this piece is no exception. There are too many poetic tidbits to quote; the whole thing is just written so beautifully, and so bittersweetly.

I love the pain, and the barely controlled rage here. And the overwhelming feeling of sorrow. All of it, really, and especially the end. Because Logan stood up to her- didn't let her wrap him around her finger- even if it meant the end to their relationship (again). Yes, it was painful, and sad. But in the best possible way.

(Reply to this) (Thread)


[info]chichuri
2007-04-25 10:46 am UTC (link)
*blush* Thank you. This means a lot, especially coming from someone who writes as well as you. (And, speaking of, is it considered rude to beg for new chapters for two stories?) I must be tired, though, because your wordsmanship/swordsmanship comment now has me wondering if introducing stabbity death to story drafts might actually improve the editing process.

I'm so happy that the pain, rage and sorrow all managed to come through, too; I'm never completely sure if I manage to get the emotion across.

(Reply to this) (Parent)(Thread)


[info]gypsy_sally
2007-04-27 10:41 pm UTC (link)
And, speaking of, is it considered rude to beg for new chapters for two stories?

It's not rude at all, and I really am trying to get work done on both I; E, and Cold Bone Canyon (if those are the two you mean), but, the truth is, this show doesn't fill me with inspiration the way it used to, so the writing is harder going. I need to re-watch S1 and get all of that creative fire back (in other words, I need to love Veronica again, instead of wanting to viciously spork her eyes out;)

/babble.

(Oh, and thanks for the wonderful compliment! It's nice when a writer that I admire admires me in turn. It makes it all worth it. :)

(Reply to this) (Parent)


(15 comments) - (Post a new comment)

Create an Account
Forgot your login or password?
Login w/ OpenID
English • Español • Deutsch • Русский…